ℑt all started when the aforementioned mortal became compelled to create a menagerie of images due to the influx of creativity over flowing the world. ℑ draw my inspiration from the perspective of fellow souls. You will encounter a various array of images, videos, and other forms of miscellaneous media mostly consisting of baroque and/or rococoarchitecture, vintage attire, pastel palor, angels and harlequins, ethereal notions, wanderlust, among other fragments of whimsical fantasies. In essence, the metaphysical confines of this blog's existence can be described as the melancholic collision of horror and fantasy. Enjoy your stay. ♥ ℑ do not own the majority of the images posted unless stated otherwise; images belong to their respective owners.
Eiko Ishioka, Multifaceted Designer and Oscar Winner, Dies at 73
Eiko Ishioka, a designer who brought an eerie, sensual surrealism to film and theater, album covers, the Olympics and Cirque du Soleil, in the process earning an Oscar, a Grammy and a string of other honors, died on Saturday in Tokyo. She was 73.
The cause was pancreatic cancer, her studio manager, Tracy Roberts, said.
Trained as a graphic designer, Ms. Ishioka was for decades considered the foremost art director in Japan; she later came to be known as one of the foremost in the world.
Ms. Ishioka won an Academy Award for costume design in 1992 for “Bram Stoker’s ‘Dracula,’ ” directed by Francis Ford Coppola. Her outfits for the film included a suit of full body armor for the title character (played by Gary Oldman), whose glistening red color and all-over corrugation made it look like exposed musculature, and a voluminous wedding dress worn by the actress Sadie Frost, with a stiff, round, aggressive lace collar inspired by the ruffs of frill-necked lizards.
These typified Ms. Ishioka’s aesthetic. A deliberate marriage of East and West — she had lived in Manhattan for many years — it simultaneously embraced the gothic, the otherworldly, the dramatic and the unsettling and was suffused with a powerful, dark eroticism. Her work, whose outsize stylization dazzled some critics and discomforted others, was provocative in every possible sense of the word, and it was meant to be.